Tuesday, March 31, 2015

1991-92 Season

The 1991-92 season was the most successful season of plays that I have ever worked on.
Every show was very well done and we made lots of money.
Everyone always says that masking money is not the primary goal but boy it makes things easy.
The profitable productions help pay for those which might be wonderful shows but do not bring in any audience.

Our season in 1991-92 was:

 The Diary of Anne Frank



A Christmas Carol

Photos to Follow

Dracula


Dracula's Cave



 Brighton Beach Memoirs



Construction Photo



 I am behind in scanning my photos and have many stories from this season but I will be adding them all soon.

This was a crazy time for me, lots of work and changes in my life and I really felt I grew a lot as a teacher, designer and person that year.


Wednesday, February 25, 2015

Festival of Ten - IX



Festival of Ten -IX opens Friday.

This production and all the crazy snow is what has been keeping me busy lately.

Photos from 1st Dress




Thursday, January 29, 2015

Dark of the Moon, Adam Lazarre and D-Day.




In May of 1991 we did Dark of the Moon was written by Howard Richardson and William Berney.
Dark of the Moon  is set in the Appalachian Mountains.
A basic love story, boy meets girl, except the boy John is a “Witch Boy”.
John,   the “Witch Boy”, seeks to become human after falling in love the human girl, Barbara Allen.
The set was a stylized view of a rustic town and surrounding area in the back woods of the Appalachian Mountains.
There was some fun in costumes of the sexy witch girls played by dancers.
The cast was made up with mostly college students with a few adults and children mixed in.
The woman who played Barbara Allen was a bit . .  . mmmmm…….Odd, no Unique.
She was a widow with a 5 years old son who was always around the theatre.
He was not a problem but most people were a bit surprised that he was still breast feeding and one night during a talk-back onstage he just came up onstage and had a little drink.
I hoping that that young boy is now a very well adjusted 29 year old man who loves his mother greatly.

This was the last play for long time and well-loved faculty director Adam Lazarre.
Adam worked in Hollywood back in the 1950’s and 60’s was now the department chair and had been the dean of the arts school when I was hired at Brockport  in 1982.
He had a small part in the movie Guys and Dolls and I saw him in an episode of Perry Mason on ME TV.
After the last performance of the show a small tree was planted in front of the building with a commemorative plaque.
The tree is still there and is now taller than the building.

I really liked Adam because he was not full of crap and would tell just what he was thinking.
Some people did not like him because they could not bull shit him and get away with it.
One day Adam and I were talking about nothing too important when he just switched gears and for the next fifteen minutes talked to me about D-Day.
He was part of the Normandy invasion on June 6th 1944.
He told about his group of men being trapped at the bottom of the sea-side cliffs and how he spent the night listening to the injured men that could not be reached or helped.
During the night the men called out for God or their mothers but as the tide came in things got quieter.
I was not sure what to say so I just listened.
Back in college I had several friends who were Vietnam Veterans and from time to time they would tell of something that had happened to them and I found it best not to ask too much but just let them talk.
I think that they must reach a comfort level that finally frees them enough to talk about it.
My father never talked too much to me about his experiences in WWII.

The play was fun to work on with the various witches and a few special scenes but a amusing moment came from our department secretary.
She was concerned for all of us working on a play that dealt with witches and black magic so she had her church pray for us.
The next year when would produce Dracula she was even more upset and there was even more pray for us.
Well all the pray must of worked as both plays did well and there were no devil sightings.

Oh yes we still have a few pieces from the Dark of the Moon and recently  reused a large shelf unit in our  production of Fox on the Fairway.




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Monday, December 29, 2014

Roshamon, March 1991




Our first show in 1991 was Roshamon, a play based in part on a 1950 Japanesse movie directed by the famous director Akira Kurosawa and staring the well known actor Toshirô Mifune.
The story of the play was the retelling of a murder and rape by several witnesses who each have a different story.


http://www.imdb.com/title/tt0042876/

http://en.wikipedia.org/wiki/Rashomon

Traditional Japanese theatre includes several styles including Kabuki, Noh (and Kyōgen) and Bunraku.
Our guest director wanted to incorporate parts of each style in our production.
Most traditional Japanese productions would not use a blend of styles but we had them all in our show.
We had hired a temporary costume designer that year and she was chosen in part because she had experience in Japanese costume design and she did created very beautiful costumes for the show.
We also had to make Bunraku puppets, a life-size horse costume and a very stylized set which included a Hanamichi, a ramp that ran out into the audience.
Although a mixture of styles the play looked nice and came off well.

The biggest problem during the production came on the Sunday night of the first weekend of the show with the start of the Ice Storm of 1991.
The storm caused major powered outages and closed the school for several days and delayed the second weekend of the show.


http://www.progrocher.com/pix/icestorm/ice1.htm

Many branches and whole trees fell that night and a tree fell across the front of my car.
As luck would have it, the tree did no damage to my car it except bending my radio antenna.




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Thursday, November 27, 2014

Stamping, Shouting & Singing Home, Dec1990






Directed By: Suzanne Sturn
Scene Designer:  Drew Francis
Costume Designer:  Madeline Huggins
Lighting Designer:  Gary Thomas Musante



 Stamping, Shouting & Singing Home was a collection of three one-act plays written by women.
The plays were: A Jury of Her Peers by Susan Glaspell also known as Trifles, A Chat with Mrs. Chicky by Evelyn and Stamping, Shouting & Singing Home by Lisa Evans.



Links to more information about the plays:


The three plays were acted on a unit set that was a large raked stage that had translucent panels flown in for each play.
The stage floor was covered with many lauan ply planks that made a large parquet pattern on it.
It was very time consuming but looked great when it was done.




The flooring for the just completed The Cripple of Insihmaan might have been more complex and certainly took many more staples to finish and when done it took two days to remove them all.

The Cripple of Inishmaan, 2014

Taking out the staples.


The large panels were simple and covered with a spun mesh fabric that was very expensive had to be shipped in from Germany.
With some changes we re-used the panels again the following year for A Christmas Carol.
We got the material from Rosco but the closest thing to it that I could find today comes from Rose Brand.


So what do I remember most about this production?
The actors, crew or plays themselves?
Nope, something else.

When we came in one morning we found that the main stage curtain had fallen down on the stage.
It appears that the tie lines had rotted away over the years and one finally broke and the slight shift in weight snapped others and started a cascade of broken ties and the whole thing fell down.
As the curtain fell it ripped itself apart and we had to buy a new one.
Few people would miss the old purple curtain.
Fortunately the only other item that was a damaged was a golf club that had been leaning against the proscenium.
What it was doing there I do not know, it was just a toy that someone had been playing with most likely hitting tape balls around the theatre.






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Friday, October 24, 2014

The Day Room, 1990



The Day Room the first play written by Don DeLillo a noted author of unique novels.
Perhaps his first novel of note was White Noise a book which I have read and really enjoyed.
I have also read some of his other book including End Zone, Mao II, Libra and Falling Man.

The show title for each program was hand-lettered in crayon.

Act I of the play is set in a in a psychiatric hospital and we see some really unique characters and we are not sure who is the staff and who are the patients.
Our set seemed  simple, a white hospital room.
At intermission there is a set change from the hospital room to a motel.
To make the change one of our very tall actors playing an orderly came onstage and just leaned into the side of the set and the walls of the room shifted angels and  a previously unseen window appeared.
Of course what really happened is that about 6 stagehands behind the set helped move the walls when the cue was given.

The Day Room, Act I

The cast was a mix of faculty, adult and traditional students.
I really enjoyed the oddness of the play.
There were some fun, odd, surprising and unique moments in the play.
In the second act on of the actors is brought in a straitjacket and chained into an alcove in the set and became a television set.
Using different voices and noises the actor became various  television programs as another actor used a TV remote to change the channels.
I am sure that many of the audience did not follow the absurdest structure of the play but it was still interesting.

The Day Room, Act II

At the end of the play instead of a curtain call the actors ran off the front of the stage, up the aisles and out into the lobby.
When the audience got up to leave when they got to the lobby they found themselves surrounded by or 7  or 8  stage hands holding  4' x 8' white flats just waving them side to side.
One of the crew was "little person", or dwarf, who was very game and he was OK with it when he was given a  smaller flat, maybe 3' x 5'.


After a few moments of the waving flats the cast appeared on the upper level of the lobby and repeated the first line of the play and then everyone ran off.
As the audience left to go the parking lot or back to the dorms they passed by the stage hands with their flats dancing  around a bright light on a stand the was set out in the lawn outside the building.
This was all done in support of one of the themes of the play in that the play never ends.
Many students had a hard time writing their critiques for this play.
Absurdest drama can be hard to explain, even for those working on it.








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Sunday, September 28, 2014

The Story of Jumping Mouse, 1990

Twenty-four years ago today I helped work on a production of The Story of Jumping Mouse produced and performed by Das Puppenspiel Puppet Theatre.





Das Puppenspiel was a well know puppet touring company that closed down in 2010.
The Department had brought them in to perform and they were fairly self-contained so I had little to do except help them set up and then sit back and enjoy the show.

I enjoyed the show but even more I enjoyed the performers as they were all fun and one guy in the company was truly nuts.
After the show I went out with them to eat.
While at the restaurant as I was talking with one of the puppeteers he took out a small finger puppet and put on a show for a little girl at the next table but all the time still talking with me.
Of course the little girl was captivated by the puppet and laughing the whole time.

The 1990-91 season had the normal for plays and four music events but that year we had several extra plays and music events.
Our plays that season were The Day Room by Don DeLillo, a collection of three one-acts by women writers, Roshomon by Fay and Michael Kanin and Dark of the Moon by Richardson and Berney.

Additionally we did an original production of Jacob’s Ladder written by one of our staff and the cast included Taye Diggs and his very talented mother Marsha Berry.




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