The fall of 1985, My forth year at Brockport, would be my first year as both the staff Technical
Director and Lighting Designer.
Our season that year was: Miss Julie, The Miracle Worker, Scapino
and A Little Night Music.
Miss Julie by August Strindberg was produced in our smaller Black
Box Theatre and directed by Oh Kon Cho.
The set was designed by a student and had been entered in
the American College Theatre Festival which
meant that the production, if selected, would have to tour.
I think this have been the first set that I built that was
all hard covered flats instead of traditional canvas ones.
We used only hard covered walls when I worked in the photo
studio but up to this point working in Theatre I had only used hard covered, or
Hollywood Flats, for smaller special units.
Miss Julie |
The floor was covered with 1 foot square tiles made out of Masonite
with a 45 degree bevel on each edge.
Putting the bevels on was a pain and very messy and was done
long before a sawdust collector in the shop.
Like most set pieces we saved them and used them again about
four years later for the floor in Come Back to the Five and Dime, Jimmy Dean,
Jimmy Dean.
We had to make about a third more for Jimmy Dean and of course
we still have them and they have been used many times over the years and have
paid for themselves many times over.
I even lent them out once for a tour that went to a museum
and they glued Velcro on the bottom
so that they would stick to the carpet that on the floor.
Both the show was good and the set were good but it was not
selected to go to the festival.
One of my favorite moments of the play was when the director,
Dr. Cho, could not get Jeff, who played Jean, to give him the line reading he
wanted.
I remember it as if it was yesterday:
Dr Cho: Jeff say “What
A Life.”
Jeff: “What A Life.”
Dr Cho: No say “What a
life.”
Jeff: “What a life.”
Dr Cho: No say “What a
Life.”
Jeff: “What
a Life.”
Dr Cho: No say “What A
life.”
Jeff: “What A life.”
Jeff could not hear what intonation that Dr. Cho wanted
neither could anybody else.
Needless to say poor Jeff was at a loss as what to do.
Now I will admit here that I am not an acting teacher, coach
or expert, but later I tried to work with him.
I told I was not sure what he wanted but if he said it like
he meant it the audience would get it.
Running away to live with the rich and beautiful Miss Julie;
“What
a Life”.
In the middle of the play when Jean and Miss Julie are
off having sex in the back peasants or local workers come in and have a party
and dance about.
The daughter of one of the dancers was one of my work study
students this past year.
Time does fly.
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